The previous post about sculptures of string players and string instruments in Changsha mentioned that some people enjoyed having their photo taken while posing with the smaller sculptures — a common sight in numerous Chinese cities. However, the man in the post's last photo was not posing for a photographic moment but instead was taking advantage of a place to sit afforded by the sculpture. I have recently seen similar examples there and elsewhere nearby, including at the South Huangxing Road Commercial Pedestrian Street where on one occasion I saw a woman using her mobile phone while sitting on a sculpture's small stool.
Another time at the same location, I saw photography practiced in parallel with the more mundane act of sitting.
This raises an issue relevant to the design of public spaces in China: the competing interests between those who wish to use a suitable sculpture for an extended period of time as a place to sit with others who desire to use it more fleetingly for photos. Perhaps if a sufficient number of places to sit existed in the surrounding area, which research for this pedestrian street found to be a common desire, the conflict would arise less often.
Another time at the same location, I saw photography practiced in parallel with the more mundane act of sitting.
This raises an issue relevant to the design of public spaces in China: the competing interests between those who wish to use a suitable sculpture for an extended period of time as a place to sit with others who desire to use it more fleetingly for photos. Perhaps if a sufficient number of places to sit existed in the surrounding area, which research for this pedestrian street found to be a common desire, the conflict would arise less often.
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