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Showing posts sorted by date for query hui. Sort by relevance Show all posts

Wednesday, June 12, 2019

Students, Tear Gas, and Masks: Today's Hong Kong Extradition Protests in 42 Tweets

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people protesting proposed extradition law in Hong Kong
Photo taken by Chung-wah Chow of the protest in Hong Kong today before police cracked down

The march in Hong Kong two days ago against a proposed extradition bill was not the end.

Today in Hong Kong people continued to protest. Today in Hong Kong the police responded with tear gas and more.

Below is a series of selected tweets covering a variety of topics regarding the protests that I shared after checking into Twitter this afternoon. They are presented here in the order I shared them, not the order in which the tweets originally occurred, with the exception of the first two since they provide overviews of what has motivated then protests. As usual, if you are viewing this post through an RSS reader and the images, videos, or referenced tweets don't tweets appear, try viewing the original post.

The last tweet was made not long before publishing this post. As it indicates, the protests haven't ended. What will happen next isn't at all clear.

















































Added note: Although there were relevant reports, the word "blood" in the original title was changed to "masks" since none of the above tweets directly mention them.
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Monday, April 8, 2019

A Cantonese Opera in Hong Kong About Donald Trump

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About a month and a half ago in Hong Kong, as I left the Yau Ma Tei metro station I noticed an advertisement for the new Cantonese opera "Trump On Show".

Trump On Show advertisement


Yes, this really exists:
Start with a performer playing President Trump. Then bring in a long-lost brother who was raised in China.

Throw in castmates portraying a ping-pong-loving Mao Zedong, a deal-seeking Kim Jong Un, Ivanka Trump and Mao’s power-hungry fourth wife.

They are singing. Opera. In Cantonese.

And, well, it’s complicated.
For more about those complications, read Mary Hui's piece about the Trumpian opera in The Washington Post, which includes some perspectives from the opera's creator, Li Kui-ming:
Li also studied the president’s quirks and habits — his penchant for fast food and television-watching habits — to develop Trump’s character.

Li, however, was struck by similarities between Mao and Trump.

“What they share in common is they both started a cultural revolution,” Li said.
Oh boy.

Trump wasn't the only Republican U.S. politician that I recently noticed in Hong Kong. Admittedly, it was a bit confounding to turn around at a bus stop in Kowloon Bay and think "Is that really Dick Cheney?".

Vice movie poster ad in Hong Kong


I don't expect to attend any "Trump on Show" performances, which opens April 12, or have anything worth saying about the movie "Vice". So this post is probably all you'll find about them here. I will update if I see any indications of a Hong Kong musical about George W. Bush though.
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Monday, February 11, 2019

Scenes from Piggish Hong Kong Lunar New Year Fairs at Victoria Park and Fa Hui Park

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As in the past, Hong Kong recently held Lunar New Year Fairs in 15 locations for a period of seven days. Five years ago I shared a number of scenes from the Victoria Park Lunar New Year Fair and the Fa Hui Park Lunar New Year Fair in Hong Kong. This year I had the chance to visit both again. Below is a set of photos capturing a variety of scenes from the two fairs. I visited Victoria Park Saturday evening and Fai Hui Park Sunday afternoon just before the Lunar Near Year. In general, the fairs were much as they were five years ago with the exception that were many more pig-themed items for sale — not surprising since it is now Year of the Pig. Like before, the photos capture a variety of stalls and the large crowds. And of course there a few scenes from their respective flower markets. One thing is deliberately missing though. The politically themed stalls at Victoria Park, which I featured five years ago, will appear in a later post.


Fa Hui Park Lunar New Year Fair

entrance to the Fa Hui Lunar New Year Fair
One of the entrances to the fair



crowd at the Fa Hui Lunar New Year Fair
A dense crowd



covered basketball hoop at the Fa Hui Lunar New Year Fair
Basketball is off limits



Fa Hui Lunar New Year Fair stall selling stuffed toy animals
Pigs and more



Fa Hui Lunar New Year Fair stall
Giant stuffed ancient coins



Fa Hui Lunar New Year Fair stall



Fa Hui Lunar New Year Fair stall



Fa Hui Lunar New Year Fair stall selling stuffed toy pigs
More pigs



Fa Hui Lunar New Year Fair stall



Fa Hui Lunar New Year Fair stall selling stuffed toy pigs



Fa Hui Lunar New Year Fair Vitasoy food stall
One of the locations to get some fair food



people posing with Ah Tak at the Fa Hui Lunar New Year Fair
Ah Tak - the green “keep clean ambassador” for Hong Kong's Food and Environmental Hygiene Department



flowers for sale at the Fa Hui Lunar New Year Fair
Some of the many flowers for sale



Fa Hui Lunar New Year Fair flower stall



"Wilted Plants" trash bin
Not all flowers found a home in time



Victoria Park Lunar New Year Fair

crowd at the Victoria Park Lunar New Year Fair in Hong Kong
Simply making one's way from one side of the aisle to the other through the very dense crowd proved quite challenging.



Victoria Park Lunar New Year Fair stall selling stuffed toy pigs
Yes, pigs



Kit Da Sketch stall at the Victoria Park Lunar New Year Fair
Some Hong Kong pride



kids trying to pop bubbles
Bubbles abounded



night crowd at the Victoria Park Lunar New Year Fair
Slower than a crawling pace



Victoria Park Lunar New Year Fair stall



Victoria Park Lunar New Year Fair stall



Victoria Park Lunar New Year Fair stall selling a "Star Fuck" shirt
Shirts with messages of some sort



Victoria Park Lunar New Year Fair "Angry Pig" stall
Putting ladders to use to sell pigs



Victoria Park Lunar New Year Fair stall selling shower heads



Victoria Park Lunar New Year Fair stall selling stuffed toy pigs
One last pig-themed stall



overflowing trash bin at the Victoria Park Lunar New Year Fair
The trash overflowed



flowers for sale at the Victoria Park Lunar New Year Fair
Non-trashy and unwilted colors



flowers for sale at the Victoria Park Lunar New Year Fair
These flowers sold shortly after I took the photo


And that's all for now. For Lunar New Year Fair photos taken in other locations, last year I visited the Taipei Lunar New Year Festival at Dihua Street and Macau's Lunar New Year Festival at Tap Seac Square.
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Tuesday, July 10, 2018

Liu Xia Free and Out of China After Years of Detainment for No Crime

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Post updated with additional tweets and attributions at 5:42 p.m.

Nearly one year ago, Liu Xiabo died in China. Today his wife Liu Xia, who faced her own long and difficult journey, is finally free under more positive conditions — as reported by Suyin Haynes in Time:
Liu Xia, the widow of Chinese Nobel Peace Prize Laureate and human rights activist Liu Xiaobo, has left China for Europe after eight years under de facto house arrest.

Family friends said that Liu Xia boarded a flight from departing from Beijing on Tuesday headed for Berlin . . . .

An accomplished poet and writer, Liu Xia was placed under house arrest by the Chinese authorities in 2010, after her husband won the Nobel Peace Prize but was unable to collect it due to his detention on political grounds. She had never been charged with a crime and was placed under close state surveillance. Concerns for her health mounted after she was heard in an April audio recording saying that she was “prepared to die” under house arrest following the loss of her husband.

The recent lack of high-level official condemnation over Liu Xia's previous ongoing detention was striking. Jane Perlez in The New York Times reports Germany played a key role in her release and provides one reason for the relative quiet:
European diplomats had said over the last several months that China had left Ms. Liu in limbo as a show of resolve against Chinese human rights dissidents, despite aggressive efforts by Germany to press for her release.

After Ms. Merkel’s visit to Beijing in the spring, the Chinese authorities let the Europeans know that if Ms. Liu’s case was not publicized, her release would be possible, a European diplomat with knowledge of the case said.

Although Liu Xia is now in Europe, as reported by Catherine Lai and Tom Grundy in the Hong Kong Free Press she may not yet be entirely free.
Patrick Poon, researcher for Amnesty International, told HKFP: “It’s really wonderful news to hear that Liu Xia is eventually able to leave China. She has been suffering depression. It’s good that she can receive medical treatment in Germany now. Her brother Liu Hui is still in China. Liu Xia might not want to talk much as she would be worried about his safety.”

So some are calling for her brother to take a similar voyage.


Some see positive signs in the news that extends beyond Liu Xia's freedom.


Some don't see Liu Xia's release as a sign of broader positive change inside of China.


But the news may still suggest something about changes outside of China.


I found Liu Xia's detainment extremely troubling and feared she would meet final circumstances similar to her husband's. So it is heartening to see she will now be in a far better situation, to say the least. Hopefully she can recover her health. And may she find it possible to safely express herself.

"Created by Liu Xia during the time of Liu Xiaobo’s labor reeducation in 1996-1999, the 'ugly babies,' as Liu refers to the dolls, are positioned in tableaux that evoke confinement and repression."
Source: Columbia University's The Italian Academy
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Wednesday, October 21, 2015

Complicated Romances and Bloodthirsty Pencils: Two New Chinese Movie Posters

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Two of the movie posters outside a theater at the Fengdu Road Pedestrian Street in Shaoguan especially caught my eye during recent days. One, for the poses and expressions:

movie poster for Youth Never Returns (既然青春留不住) in Shaoguan, China

Youth Never Returns (既然青春留不住) premiered at the Montreal Film Festival, which provides this synopsis:
When Wang Jinhui enters university, he immediately becomes one of its most popular students, certainly to the girls. But not Zhou Hui. When he asks her to help him cheat in exams, she reports him instead. Still, she does help him study, and eventually they warm to each other. They become a couple. An unsteady couple, with ups and downs -- lovers, enemies, lovers again. And finally a breakup. Years later, having become a successful restaurant operator, Wang Jinhui learns about Zhou Hui’s ill health. He comes to help, but once again they separate. Is there one more reconciliation in the cards?
And if Wang Jinhui now becomes ill, will Zhou Hui run the restaurant in his absence? Or given how the cheating incident worked out, will she instead report him for tax evasion to help rekindle their love yet again? Indeed, more ups and downs could be in store. Youth Never Returns opens in China on October 23. If offered free tickets, popcorn, and really good beer, I will consider going.

The other movie poster caught my attention because it reminded me of the Death is Here 3 movie poster I saw last year in Zhanjiang. Yes, folks, the terrifying giant pencil is back.

movie poster for Campus Mystery (笔仙魔咒) in Shaoguan, China


In addition to gratuitous cleavage, other movie posters for Campus Mystery (笔仙魔咒) include gratuitous gore, upskirt views, and water. I haven't yet seen them displayed in Shaoguan.

For reasons I can't explain, this movie did not premier at the Montreal Film Festival, so I will not share a proper synopsis. Instead, I will share a guess about the plot:
After Wang Jinhui enters university, an evil giant pencil convinces him to cheat in exams. But Zhou Hui, his occasional lover who has an interest in tax law, discovers it isn't a number 2 pencil as required and . . .
Wait, maybe I shouldn't confuse films. Anyway, whatever the real plot, if any, presumably a really big pencil appears in the movie, which is all you can ask for. Campus Mystery opened in China last Friday, and I will consider seeing it as well, assuming similar conditions. Given my curiosity about the pencil, though, I am willing to forfeit the popcorn and beer in a plastic bag is good enough.

These two movies probably don't best represent the overall state of movie-making in China today, but they still remind me of a recent conversation I had about Chinese movies with a high school student in Zhongshan. She said she used to only enjoy foreign movies. But now she was finding more Chinese movies she enjoyed and believed they were getting much better. She is definitely not alone in her opinion

On its opening weekend in China, Campus Mystery didn't captivate as many viewers as a number of other movies and only grossed U.S. $840,000. Recent domestic success stories for the Chinese film industry, comedies Goodbye Mr. Loser and Lost in Hong Kong, fared much better though. And showing that ants can trump pencils, even in a market clearly gamed to benefit domestic films, the foreign film Ant-Men, also opening in China this past weekend, came in number one grossing over $43 million.
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Sunday, October 26, 2014

The Great Acceleration at the Taipei Fine Arts Museum

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Two months ago I entered the Taipei Fine Arts Museum and paused for a few moments as I looked at the sign listing the current exhibitions:

list of current exhibitions showing the most floors of the museum are closed

Needless to say, I was both surprised and disappointed to learn that the vast majority of the museum was closed in order to install a new exhibition. My visit proved to be rather brief.

Fortunately, I recently was able to return and see the new exhibition "The Great Acceleration". Not only did my visit last much longer, but I needed a second day to make a first pass through everything. As described in Art Agenda:
“The Great Acceleration: Art in the Anthropocene,” curated by Nicolas Bourriaud, casts human subjects as both increasingly ghostly, stressing limitations and finitudes, as well more aligned with the organic, strange, and sensory. In other words: both more dead and more alive. These qualities have been thrown into relief by the ascendance of the machinic technologies and algorithmic logics that have come to condition much of our activity and attention. Expanding on these issues, the biennial, held solely at the Taipei Fine Arts Museum, features 52 artists and collectives, finely installed. As one might expect from Bourriaud, known for coining terms and corralling practices such as “relational aesthetics,” “postproduction,” and “altermodernism,” artistic approaches, rather than particular geographies, histories, or politics, connected the works in the exhibition.
And as described by exhibition curator Nicolas Bourriaud:
Human activity has been transforming the planet for millennia. All the ecosystems now bear the mark of human presence, but the scale and speed of change in the last 60 years, called by scientists The Great Acceleration, also led them to name anthropocene this new geological epoch — an era marked by the strong impact of human activities upon the atmospherical and geological evolution of planet earth.

Taipei Biennial 2014 uses this image in order to examine how contemporary art adresses this new contract between human beings, animals, vegetals, machines, products and objects. How does today’s art define and represent our space-time ? The exhibition will highlight the way artists focus on links, chainings, connections and mutations : how they envision planet earth as a huge network, where new states of matter and new forms of relations appear…

See the above links for more on the exhibition.

If you are in Taipei before the exhibition ends on January 4, 2015, I highly recommend spending at least an afternoon there. Below I will share photos of just a few of the installations along with excerpts of descriptions provided by the museum. The photos are not intended to be fully representative of the pieces and don't show any of the art videos. But they do provide a hint of the incredible diversity of artistic expression on display.

Formasa Decelerator by Opavivará!
Formasa Decelerator — Opavivará! (Brazil)
Opavivará! is an art collective from Rio de Janeiro, which develops actions in public places of the city, galleries and cultural institutions, proposing inversions in the use of urban space, through the creation of relational devices that provide collective experiences.

Specially conceived for the Taipei Biennale 2014, Formosa Decelarator is also contaminated by local Brazilian traditions, rituals and tea ceremonies. . . .

The idea revolves around a sort of temple of idleness, an invitation to inactivity, a space that worships the non-productive and non-active and that stands as a counter-proposition to our accelerated, superficial and volatile times. It aims to evoke a collective ambience based on sharing and on the relationships that arise through the interaction of the public, a tool to transform the challenge of living together into a vibrant and pulsating exercise of pleasure, congregation and creative idleness.


Yucca Invest Trading Plant — Ola Pehrson (Sweden)
Yucca Invest Trading Plant — Ola Pehrson (Sweden)
Every plant is in itself a perfectly economical system, with a minimum of waste, with its own resources, something which certainly can’t be said of many companies. A yucca palm tree has been chosen as a representative of a typical plant for a young urban businessman. The plant has been exposed to six months of intensive market education, during which it has been fed with stock market rates encoded into electric currents, combined with an index-related conditioning diet of either rich or meagre rations of water and sunlight. This is an attempt to stimulate a market-adapted habitus, similar to that which years of financial transactions develop in the experienced stock brokers’ nervous system.


Zoo — Ching-Hui Chou (Taiwan)
Zoo — Ching-Hui Chou (Taiwan)
Zoo is a space full of imagination and conflict. It symbolizes a time of joy (for visitors), yet it also symbolizes a time of confinement and segregation (for animals). It symbolizes the convenience and marvels of modern life (a collection of rare animals from all over the world), and it also suggests a hint of the apocalyptic salvation of Noah’s Ark (protecting species on the verge of extinction). Cages in zoos are used as an allusion to modern people’s lives in cages.


Mobile Phone and Stone Tool — Shimabuku (Japan)
Mobile Phone and Stone Tool — Shimabuku (Japan)
A mobile phone is one of the newest devices of humankind, and a stone tool is the oldest. Actually, they are similar in some aspects. Firstly, the size is similar. When held in a person’s hand, some of them feel very much alike. Stone tools also have “memory” just like mobile phones. You could imagine “calling” or “taking a photo” with a stone tool.


Dangerous Computer Virus — Abu-Bakarr Mansaray (Sierra Leone/Netherlands)
Dangerous Computer Virus — Abu-Bakarr Mansaray (Sierra Leone/Netherlands)
Mansaray’s creations particularly focus on unusual yet sophisticated drawings and machines based on his scientific background. His preparatory drawings, created by pencil, ballpoint pen or crayons, seem to be blueprints, but they can be regarded as the characteristics of his artwork, as evidenced in the works shown at the Taipei Biennial 2014. There is no doubt that the conflicting, warring circumstances of Sierra Leone play an influential role in shaping Mansaray’s creative imagination and futuristic point of view. Even though his works, to some extent, bear witness to the horrors of war, it is still evident that Mansaray attempts to express the power of creation.


Decriminalization of Taiwanese Indigenous Hunting Rifles — En-Man Chang (Taiwan)
Decriminalization of Taiwanese Indigenous Hunting Rifles — En-Man Chang (Taiwan)
The term “decriminalization” refers to a situation where a previously illegal activity or action is designated legal. When legal behavior is suddenly reclassified as illegal, that is called “criminalization.” In a civilized society, how is it that the traditional hunting of indigenous peoples results in them being subject to the legal system of a different culture? In the past, hunters were the pride of the tribe, but they are now labeled criminals by the legal system because the prevailing political-economic system declines to respect cultural diversity.


Keep Soothe and Carry On — David Douard (France)
Keep Soothe and Carry On — David Douard (France)
The installation Keep Soothe and Carry On, made in 2014, is an installation that takes its starting point in its title, which Douard got from the classic English slogan “Keep Calm and Carry On.” Reflecting present-day reality, this installation is represented in the form of a marketing slogan, with the launch of several derived objects (cups, T-shirts, posters…). That is why Douard has retained the R of a trademark, serving as a powerful symbol in the installation.

He decided to use this advertisement as a tranquilizer in society. The rest of the installation serves as elements of a disordered society which the slogan addresses


Buk — Harold Ancart (Belgium)
Buk — Harold Ancart (Belgium)
Buk is a plastic bucket holding a smart phone that plays “The Ultimate Very Best of Elvis” on a loop. The bucket serves as a soundbox for the smart phone as it amplifies the sound of the music released through the speaker of the phone. This anticipative sculpture witnesses a fictional lifestyle improvement for homeless people in the future. No longer subject to cold, for they will all carry electronic warming systems incorporated into their jackets, the homeless people will reunite and party around Buk rather than metallic trash cans set on fire.


The Deluge – Noah’s Ark — Hung-Chih Peng (Taiwan)
The Deluge – Noah’s Ark — Hung-Chih Peng (Taiwan)
Reflecting ferry disasters, floods and other recent ecological crises, Peng’s work The Deluge – Noah’s Ark attempts to show the impotence of human beings in the face of uncontrollable catastrophic challenges. The rapid acceleration in the Anthropocene era causes climate change, environmental pollution, and ecological crises. All the measures to control these problems seem to be in vain. Human beings are unable to return to the unspoiled living environment of the past, and have become victims of their own endeavors. This work serves as a metaphor exposing the collision between Mother Nature and the accelerated development of industrialized civilization.




*Correction: an earlier version of this post mistakenly referred to the Taipei Fine Arts Museum as the Taipei Museum for the Fine Arts.
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Wednesday, February 5, 2014

Lunar New Year Fairs in Hong Kong

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Leading up to the Lunar New Year holiday, Hong Kong holds fairs in 15 different locations for a period of 7 days. A section of the fairs are dedicated to flower markets but much else is also sold. A large number of stalls are run by college students to gain sales experience and to hopefully make some money.

I recently visited two of the largest fairs--one at Fa Hui Park in Sham Shui Po the night of the opening day and another at Victoria Park in Causeway Bay several days later. I also briefly stopped by a smaller fair in Kwun Tong. The Hong Kong fairs reminded me of a Lunar New Year fair I visited in Guangzhou 3 years ago. However, some of what I saw in Hong Kong reflected a culture specific to there and one set of stalls in particular was strikingly unlike anything one could expect to see at a fair in mainland China. I'll save that topic for a later post.

Below are assorted scenes capturing a small taste of the Hong Kong fairs. The first 10 photos are from Fa Hui Park and the second 10 are from Victoria Park. The fair at Victoria Park was larger and, at least when I went, the crowds were far denser. In some sections it required a significant effort simply to cross an aisle from one booth to another. Several Hongkongers said that's part of the experience which draws them there.

four female college students wearing large read bows on their heads and holding bags and stuffed toys
These college students at the Fa Hui Lunar New Year Fair tried their best to sell me a stuffed toy.

little girl hugging a stuffed toy
Fortunately, they found a more appreciative potential customer.

male college student making a Magic Goo balloon
If stuffed toys weren't your thing, perhaps some German Magic Goo would do the trick.

stall selling spicy XO sauce
Locally-made spicy XO sauce

stall selling kimchi
Also spicy: Korean kimchi

purple orchids at the Fa Hui Lunar New Year Fair in Hong Kong
A small sample of the flowers for sale

colorful pinwheels
Pinwheels are a popular part of the holiday.

seven college students holding stuffed toys
If you wanted a giant "no smoking" stuffed cigarette, this was your place.

large food stall with signs for Vitasoy
Like an American fair, food was available.

large pot of Chinese style meatballs
Although many of the options differed.

dense crowd at the Victoria Park Lunar New Year Fair in Hong Kong
Sections of the Victoria Park Lunar New Year Fair seemed completely packed during the day, but one vendor told me it would become even more crowded that night.

little girl sitting on a mans shoulders
High perches were needed by some.

woman at a stall selling and demonstrating Nano Diamond Coating
One of the more pragmatic offerings

man demonstrating a shower water filter
Shower water filters

woman looking at flowers
More flowers

two college students hold stuffed toys
And more stuffed toys

a stall sign with Barack Obama's head on a horse body
Many of the signs and names for the students' stalls incorporated a horse theme in recognition of the Chinese zodiac sign for the new year. In this case, they also played on the fact that Barack Obama's name in Chinese includes the character for "horse".

young woman selling signs reading "NEXT STATION UNIVERSITY", "YOU ARE AN ASSHOLE", "EXCEED THREE EXPLODE FOUR", etc.
Some college students sold their own creations which they said reflected Hong Kong culture.

man with blue dyed hair holding an item while many people in a crowd reach out their hands
A blue-haired man handing out free items had no problem drawing a crowd.

high school boy and girl holding and wearing pink inflatable items and a pink stuffed animal
Two friendly high-school students seeking customers in a less crowded area
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