Candied Fruit and a Ferrari in Wuhan

At the intersection of Shahu Avenue (沙湖大道) and Songzhu Road (松竹路) near the Hanjie Wanda Plaza

A Live Card Game in Wuhan

Alongside / on Dongting Street (洞庭街)

A Live Game of Xiangqi in Wuhan

While to many people this game of xiangqi may not have presented as much of a photographic opportunity as another in Wuhan, it was far more dynamic overall.

At Wuchang Lianzheng Wenhua Park (武昌廉政文化公园)

A Solid Game of Xiangqi in Wuhan

On the Jianghan Road Pedestrian Street

The above sculpture of a xiangqi game appears to have been designed to encourage people to have their photo taken while pretending to be one of the players. You would have to bring your own fan and sandals though.

I have been bouncing around — of both the intracity and intercity variety — quite a bit lately. This perhaps to a degree unconsciously influenced the recent focus here on rather still statues. Other topics are on the way — probably more statues at some point too.

Poured Love in Wuhan

At the Baolijin International Plaza not far away from a lounging Bugs Bunny

Smokin' Bugs Bunny in Wuhan

At the Baolijin International Plaza shopping area

A Time of Change and Digging at the Gude Temple in Wuhan

Even after visiting hundreds of Buddhist temples in China, the Gude Temple in Wuhan can catch you by surprise. According to a photo gallery featuring the temple on the Hubei Provincial People’s Government's website:

It was built in the 3rd year of Emperor Guangxu (1877) in the Qing Dynasty.

The present Great Buddhist Hall was built in 1921 and later was expanded into Gude Temple, which covers an area of 20000 square meters and has a floor space of 3600 square meters.

The Gude Temple was built according to style of the Alantuo Temple in Myanmar in an erratic combination of all thinkable architectural styles and traditions, being unique in construction of Buddhist temples in China’s hinterland.

I wouldn't describe the location as being in China's hinterland, but I agree the architecture is unlike any other temple I have seen in China. My recent visit was made all the more special thanks to work affecting much of the temple's grounds — reminiscent of the construction I walked through when I visited the Changchun Taoist Temple in Wuhan six years ago.

Below are some scenes which feature some of the change now occurring at Gude Temple as visitors still make their way around. The temple is easily reachable by going to Toudao Street Station on the Wuhan Metro and then walking down Gudesi Road. But that might not work in the not-too-distant future. Many of the areas near the temple are changing to a greater degree.

Views of and from Toudao Street Station in Wuhan

The Toudao Street Station on Line 1 of the Wuhan Metro is a brief walk from one end of Gudesi Road. For contrasts to the previously shared scenes from Gudesi Road and of metro trains arriving at two other stations on Line 1, here are photos of two trains departing the station:

View of Toudao Street Station facing northeast from a pedestrian bridge

View facing southwest from Toudao Street Station

A Few Scenes from Gudesi Road in Wuhan

Unlike Qingfen Road in Wuhan, Gudesi Road (古德寺路) is labeled on both Google Maps and Baidu Map. However, both maps are missing sections of the street and Baidu Map mistakenly labels a connecting street with the name. In any case, there aren't as many shops on Gudesi Road as there are on Qingfen Road, but plenty of life can still be found there.

And if you are lucky, you may meet a rather friendly dog.

While Gudesi Road wouldn't seem remarkable to most people in China, the temple it is named after is another story. More about that later.

Five Scenes From Qingfen Road in Wuhan

Qingfen Road (清芬路) in Wuhan doesn't appear on Baidu's or Google's online maps, but it definitely exists. A few scenes from a street densely packed with life:

A Thanksgiving in Wuhan

I didn't have any rats running up my leg like I did in Changsha five years ago, but Thanksgiving this year was still a success. Although a holiday-special pulled turkey breast burger with cranberry BBQ sauce took way too long to arrive at lunch, the delay led to a free slice of dark chocolate cake (thank you, Sunny). The cake was more impressive than the burger, so it felt like a net win. For dinner I chose a Western upscale hotel with a buffet that I figured would be serving turkey today. Not only was I correct, but I arrived in time to score a leg. It took a little extra effort to communicate that, yes, I really wanted the whole leg. Early bird scores the worm and all that.

I won't be sharing any photos of the pricey food since none of it would be remarkable for Thanksgiving fare. Part of the reason for my choice in dining location tonight was that it would offer the opportunity for a late walk somewhere I hadn't visited before. So in that spirit, for a photo here is a scene from tonight in Wuhan's Hanyang District including the Yingwuzhou Yangtze River Bridge (鹦鹉洲长江大桥):

Happy Thanksgiving.

"Integration: Fusion and Adaptation" at the Wuhan Art Museum

"Integration: Fusion and Adaptation" is the fourth and current exhibition for the Wuhan Ink Art Biennale at the Wuhan Art Museum. As described at the museum:

The preceding three exhibitions present a chronological sequence of perpetuation and development, transformation and innovation, in Chinese ink painting since Ming and Qing periods. "Integration" showcases the richness of contemporary ink art through works that are rooted in tradition yet present new ideas, pieces that are more avant-garde in creative concept and method, as well as pieces by foreign artists working in ink.

One piece on display features Chinese calligraphy, common at art museums in China.

Less common is the calligrapher's home country — the U.S. — and the topic of the writing, which is captured in Michael Cherney's title for the work: Excerpt from Thoreau's A Week on the Concord and Merrimack Rivers (2012).

South Korean Shin Young Ho's piece Liquid Drawing_4207 (2015) doesn't include calligraphy, but it does have ants.

Li Huichang's Groan No. 66 (2015) has neither calligraphy nor ants, but there is still much going on.

One of the more colorful pieces at the exhibition is Paradise (2008) by Huang Min.

Finally, the piece I pondered most was Stop! (2015) by Liu Qinghe.

Like many others on display, the large piece of art is worth a closer look.

The Wuhan Art Museum has much more. One sign indicates this exhibition was supposed to have already ended over a week ago, so I am not sure how much longer it will be around. In any case, the Wuhan Art Museum is free. You just have to scan your Chinese ID card to open an entrance gate. If you are a foreigner, don't worry. You can walk around the gate — no need to stop.