Halloween Scenes from Shaoguan, China

Last week while crossing the Fengcai Bridge in Shaoguan, I noticed a few people looking up at something.

I soon surmised their attention had been caught by an advertisement for a Halloween party.

The other side of the billboard was the same.

And similar signs appeared over a road leading to the Shaoguan East Railway Station.

Not to be outdone, a fitness club had a Halloween activity planned as well.

And during several returns to an RT-Mart in Shaoguan I always saw a crowd around the Halloween supplies for sale.

The RT-Mart also added two Halloween-themed candy displays.

All of these signs plus some discussions I had with locals lead me to believe there would be more Halloween spirit in Shaoguan than I had expected after earlier seeing the Halloween offerings at a Pizza Hut.

I had not expected to still be here on Halloween, but life proved to have other ideas. So I was able to experience some of the city on the special day. What I saw on Halloween night was not as extensive as what I saw in Changsha several years ago, but it still surprised me, especially considering the constant rain all night.

For example, people sold masks and other Halloween-related items at both the Pedestrian Street and The History East Street shopping area.

And a popular arcade had Halloween activities, including free face painting.

At the History East Road shopping area I saw a variety of people, mostly younger, appropriately dressed for the holiday.

And a decent crowd showed up for the party I first saw advertised, also at The History East Road, despite the steady rain. Some people took advantage of the opportunity to dance. Others watched.

Surely this is not cover all of Shaoguan's Halloween activities, but it offers a sense of how another Western holiday is gaining acceptance in China. Even a local reporter noted Halloween's growing presence (in Chinese). By far, most of Shaoguan showed no signs of the holiday and at most homes you would likely only cause much confusion (at best) if you show up trick-or-treating. Still, it's good to know one can end Halloween in Shaoguan at a quiet bar and receive an unexpected free holiday treat to complement your Bloody Mary.

"Minnight" Movie Horrors in Shaoguan

In addition to the two movie posters I previously saw at the Fengdu Road Pedestrian Street in Shaoguan, another poster there more recently caught my eye.

More than the warm poses, the word "minnight" is remarkable. An online version of this poster at Douban uses the same word as well. However, all of the other posters for the same movie use "midnight", which makes sense since it is part of the Chinese name of the movie (半夜叫你别回头). While English language errors are common in China, misspelling the name of a movie on a poster which presumably was distributed nationwide seems to include a bit of extra unintended horror. Maybe that was the point though. Midnight Whispers opened today in China, just in time for the Halloween weekend.

U.S. Destroyer Appears in the South China Sea and the Nanxiong Bus Station

China allowed news agencies to report a U.S. destroyer recently making the "most significant U.S. challenge yet to the 12-nautical-mile territorial limits China claims around artificial islands it has built up in the Spratly archipelago". Today at a bus station in Nanxiong, a county-level city in northern Guangdong, I saw news posted about the "illegal" action.

In discussing some of the incident's coverage by "the most-watched and most tightly-controlled news broadcast" in China, Andrew Chubb points out why China may not similarly cover future challenges by the U.S.:

The high-handed demand that the American side “correct its mistakes” leaves the CCP well positioned to claim that its stern response forced an aggressive hegemon to back down. At least one US official has described the patrols as “routine“, suggesting there will be more to come. Even if the US patrols happen, say, once a month from now on, it will be up to the CCP to decide how often Chinese mass audiences hear about this. Having established a high level of domestic publicity on this occasion, the CCP might well be able to (implicitly or explicitly) encourage the perception that it forced the US to back down, simply by not affording the same level of publicity to future FoN patrols.

I am not going to even try to predict what will happen, other than that I doubt the issues over the territorial claims will be resolved anytime soon. Read Chubb's post "China announces the US’s Spratly patrols to the masses" for more analysis of the news coverage on CCTV's Xinwen Lianbo and an example of how China's control of news can be as newsworthy as the news itself.

A Friendly Xiangqi Photo Request in Shaoguan

As on the day before, this past Sunday a man in Shaoguan asked me to take his photo, though this time with others. The man had noticed stop to briefly watch a roadside game of xiangqi (Chinese chess), which he was watching as well. He was disappointed to learn I am not a reporter, as he hoped more of the world could see xiangqi being played. When I told I have a blog, he immediately brightened. Soon he repositioned himself to continue watching the game.

Before I left, he asked me to take a photo of just him and his friend, who he introduced to me as the retired director of Shaoguan's former Beijiang district, now a part of the central Zhenjiang district. I was curious to ask him some questions about his earlier role, but I refrained. Xiangqi was happening.

Imitated Art: Giant Abstract Flamingos in Chicago and Zhuhai

Dali L. Yang, Professor in the Department of Political Science at the University of Chicago, recently tweeted a photo of a sculpture by the American artist Alexander Calder (1898-1976).

Chicago in a rainy Saturday evening pic.twitter.com/UbGeX5z2G3

— Dali L. Yang (@Dali_Yang) October 25, 2015

The Chicago Public Art Program's description of the "Flamingo" emphasizes how the sculpture fits in with its surrounding environment and offers an immersive experience:

Alexander Calder’s abstract stabile anchors the large rectangular plaza bordered by three Bauhaus style federal buildings designed by Mies van der Rohe. The sculpture’s vivid color and curvilinear form contrast dramatically with the angular steel and glass surroundings. However, Flamingo is constructed from similar materials and shares certain design principles with the architecture, thereby achieving successful integration within the plaza. Despite its monumental proportions, the open design allows the viewer to walk under and through the sculpture, leading one to perceive it in relation to human scale.

Seven years ago, David Mendell for the Chicago Tribune shared how the cost for a needed renovation at the time may have been justifiable simply in terms of attracting tourists:

Art lovers and conservationists maintain the expenditures are essential, and economical, if Chicago is to continue drawing tourists who want to view public art.

"These works really show the commitment Chicago has to promoting (the city's) cultural landscape in the last half of the 20th Century," said Victor Simmons, director of education for the Chicago Architecture Foundation. "It would be a great loss if those two contemporary works were allowed to disappear."

Fortunately, Calder's work didn't disappear. Two months ago, I felt inspired to take a photo similar to Yang's:

Perhaps too similar. Unfortunately, I haven't been to Chicago in years. Instead, I took the photo in China — more specifically, at the Huafa Mall in Zhuhai, Guangdong.

No Bauhaus-style federal buildings border the mall's plaza, and some differences exist between the Zhuhai sculpture and Calder's. But it is hard to believe the striking resemblance is a coincidence, and the Calder Foundation makes no mention of this work.

Photo by Min Lee of Calder's "Flamingo" in Chicago taken from a more a easily comparable viewpoint

There have been times when an example of "China copied!", often a justifiable claim, struck me as being no more a copy than examples in the West which were not similarly called out. Many of the most celebrated artists have used others' ideas and material to one degree or another. The line between imitation and similar-in-style can be fuzzy. Some of Calder's own works made me immediately think of earlier artists. And the more I compared photos of the sculptures in Zhuhai and Chicago the more differences I noticed. Revisiting both in person may uncover more.

Nonetheless, I strongly lean towards calling the Zhuhai sculpture an imitation. At best, it seems to be rather near that fuzzy boundary. It would be interesting to know whether the differences are primarily a result of artistic considerations, a desire to technically avoid the "copy" label, or failing to perfectly copy Calder's sculpture.

Whatever the artistic, ethical, and legal issues, though, there is a positive side to apparent imitations like the one in Zhuhai. For example, relatively few people in Zhuhai will ever have the opportunity to visit Chicago or support its tourism industry. At least they can now better experience something similar to its art, if not its deep-dish pizzas and hot dogs. From this perspective, it could be argued it would be better if the Zhuhai sculpture were an exact copy.

Regardless, clearly crediting the original, which I didn't see in Zhuhai, would improve things — perhaps something to the effect of:

Variation on Alexander Calder's sculpture "Flamingo" in Chicago, USA.

Not only could it increase people's art appreciation and knowledge, but it could also help avoid a potentially face-losing situation in which someone proudly identifies the sculpture as an example of Zhuhai originality.

In his thoughts about another Chicago sculpture with a twin in China, Jonathan Jones, who writes on art for the Guardian, had this to say about creativity and Chinese art:

The creative individual has been at heart of Chinese art for a long time. Painters and poets of the Song dynasty, during the 12th century, were celebrated as distinctive creators at a time when European art embodied the labour of anonymous artisans and scribes.

There’s no reason to think that China placed a low value on the creative individual – until the 20th century, that is. . . .

The Cultural Revolution undoubtedly attacked the idea that individual creativity should be celebrated or protected.

Yet despite any lasting negatives effects resulting from events of the previous century, creativity exists in China today.

Even if China feels artistic imitations are justifiable, not openly identifying them as such detracts from the work of artists all over the world. And in a special way it hurts Chinese artists who create original work in the 21st century. An environment exists where it is all too easy to think "this might be an imitation".

Nobody is now wondering if Calder copied a sculpture in Zhuhai.

Night Studies in Shaoguan

There was a time not long ago when I thought I would have two posts ready for today. I suppose the previous sentence already implies that I likely will not. It could also imply I may have three or more posts for today. I definitely didn't intend the latter interpretation.

Instead of either of the two posts I had initially planned, which need just a little more work that is not going to happen at this moment, here is a photo of a girl focusing on her own work tonight.

Abstract flamingos and a colorful (heavy on the red) place on Shaoguan's Wuya Alley shall appear shortly.

Fortunes and Accessories on a Shaoguan Stairway

Early this afternoon in Shaoguan, Guangdong, I saw a person offering fortune telling and related services.

Another notable hat in Shaoguan

This evening almost exactly seven hours later, I saw a person selling mobile phone covers and other assorted accessories for electronics.

One of many "mobile moments" I captured today

Both of them made use of the same corner on a landing of a pedestrian bridge staircase — just at different times. In addition to raising a number of intriguing issues, the variety of offerings available at this single location today captures some of the spirit of what I have observed elsewhere in Shaoguan this weekend.

So my own prediction for the future: I will just say don't be surprised if things as different as bamboo rats, xiangqi, marketing for pole dancing lessons, and Little Red Books all appear here soon.

A Greeting from Shaoguan

One man who saw me taking photos on a bridge in Shaoguan today greeted me and then offered to pose for a photo. As typical in such cases, I didn't pass up the opportunity.

Friendly guy. Had I not been so focused on another task, I would have asked about his hat.

Chickens in China Not Crossing the Road Today for Different Reasons

Today in Haikou: Why did the chicken.... wait, no, it doesn't look like he made it that far.
Posted by Erik-Nicki Johnson on Thursday, October 22, 2015

Whatever the fuller story for the chicken in Haikou may be, it doesn't seem likely to be a happy one (if no photo appears above, the link on the date leads to it). So on a related yet happier note, today in Shaoguan:

The first time I saw this hen she appeared to be looking inside cages with birds for sale as pets. I wondered what she was thinking, surely something profound. This time she was on her way to join her companion, here eating within sight of the caged birds:

Despite living in the middle of a city, these two lovely domesticated fowl are free to roam about, which has some obvious pluses. Unlike a chicken I once saw in Malaysia, though, I have not seen them show any desire to cross the road next to their home. The answer to this different riddle may have something to do with the large number of cars and motorbikes passing by.

As to these chickens' ultimate fate, I am not sure. Perhaps that riddle is better left unanswered.

Complicated Romances and Bloodthirsty Pencils: Two New Chinese Movie Posters

Two of the movie posters outside a theater at the Fengdu Road Pedestrian Street in Shaoguan especially caught my eye during recent days. One, for the poses and expressions:

Youth Never Returns (既然青春留不住) premiered at the Montreal Film Festival, which provides this synopsis:

When Wang Jinhui enters university, he immediately becomes one of its most popular students, certainly to the girls. But not Zhou Hui. When he asks her to help him cheat in exams, she reports him instead. Still, she does help him study, and eventually they warm to each other. They become a couple. An unsteady couple, with ups and downs -- lovers, enemies, lovers again. And finally a breakup. Years later, having become a successful restaurant operator, Wang Jinhui learns about Zhou Hui’s ill health. He comes to help, but once again they separate. Is there one more reconciliation in the cards?

And if Wang Jinhui now becomes ill, will Zhou Hui run the restaurant in his absence? Or given how the cheating incident worked out, will she instead report him for tax evasion to help rekindle their love yet again? Indeed, more ups and downs could be in store. Youth Never Returns opens in China on October 23. If offered free tickets, popcorn, and really good beer, I will consider going.

The other movie poster caught my attention because it reminded me of the Death is Here 3 movie poster I saw last year in Zhanjiang. Yes, folks, the terrifying giant pencil is back.

In addition to gratuitous cleavage, other movie posters for Campus Mystery (笔仙魔咒) include gratuitous gore, upskirt views, and water. I haven't yet seen them displayed in Shaoguan.

For reasons I can't explain, this movie did not premier at the Montreal Film Festival, so I will not share a proper synopsis. Instead, I will share a guess about the plot:

After Wang Jinhui enters university, an evil giant pencil convinces him to cheat in exams. But Zhou Hui, his occasional lover who has an interest in tax law, discovers it isn't a number 2 pencil as required and . . .

Wait, maybe I shouldn't confuse films. Anyway, whatever the real plot, if any, presumably a really big pencil appears in the movie, which is all you can ask for. Campus Mystery opened in China last Friday, and I will consider seeing it as well, assuming similar conditions. Given my curiosity about the pencil, though, I am willing to forfeit the popcorn and beer in a plastic bag is good enough.

These two movies probably don't best represent the overall state of movie-making in China today, but they still remind me of a recent conversation I had about Chinese movies with a high school student in Zhongshan. She said she used to only enjoy foreign movies. But now she was finding more Chinese movies she enjoyed and believed they were getting much better. She is definitely not alone in her opinion

On its opening weekend in China, Campus Mystery didn't captivate as many viewers as a number of other movies and only grossed U.S. $840,000. Recent domestic success stories for the Chinese film industry, comedies Goodbye Mr. Loser and Lost in Hong Kong, fared much better though. And showing that ants can trump pencils, even in a market clearly gamed to benefit domestic films, the foreign film Ant-Men, also opening in China this past weekend, came in number one grossing over $43 million.

A Game of Real Leaps in Shaoguan, China

As I observed and photographed life at a location on Shengping Road in Shaoguan, Guangdong, two girls behind me played a game involving action poses and dramatic jumps. More about Shengping Road, a small bit of which appears below, another day. Today is for the girls, who enjoyed viewing their captured moments and happily posed for a somewhat more typical photo before I left. They provided an entertaining example of how children can still have a lot of fun without electronics or extra equipment.